Sahibs’ India: Vignettes from the Raj

What turned Adolf Hitler, a relatively normal and apparently unexceptional young man, into the very personification of evil? To answer this question, acclaimed historian Brigitte Hamann has turned to the critical, formative, years that the young Hitler spent in Vienna. As a failing, bitter, and desperately poor artist, Hitler experienced only the dark underbelly of Vienna, which was seething with fear, racial prejudice, anti-Semitism and conservatism. Drawing on previously untapped sources—from personal reminiscences to the records of shelters where Hitler slept—Hamann vividly recreates the dark side of fin de siècle Vienna and paints the fullest and most disturbing portrait of the young Hitler to date.

To Alexei Tolstoy (1883-1945) history, in addition to an artistic theme, was also a means of studying life. The novel “Peter the Great” was preceded by various works on this theme (Peters Day, On the Rack) which depict the formative stages of the authors conception of history. Tolstoy published the first part of the novel in 1929, the second in 1934, working on the third part until the day of his death, yet leaving it unfinished.The novel is dynamic. It shows the epoch and Peter himself, a true national hero of Russia and creator of the Russian state, in all their magnificence and multiplicity, in all their contradictions. The author describes the transformation of Russia into a mighty power. The novel is imbued with pride for Russia and faith in the Russian people. This profoundly realistic work has greatly influenced Soviet writers working in the field of history. Tolstoy won the Stalin Prize for this novel.

The acclaimed translation of the classic poem at the heart of Stephen Greenblatt’s The Swerve “A plague . . . tests us in unique ways. . . . Only if you can face the invisible bullets all around us, and still keep calm, remain rational, and somehow find it possible to take pleasure in life, have you learned the lesson that [The Nature of Things] set out to teach.” —Stephen Greenblatt, The New Yorker Lucretius’ poem On the Nature of Things combines a scientific and philosophical treatise with some of the greatest poetry ever written. With intense moral fervour he demonstrates to humanity that in death there is nothing to fear since the soul is mortal, and the world and everything in it is governed by the mechanical laws of nature and not by gods; and that by believing this men can live in peace of mind and happiness. He bases this on the atomic theory expounded by the Greek philosopher Epicurus, and continues with an examination of sensation, sex, cosmology, meteorology, and geology, all of these subjects made more attractive by the poetry with which he illustrates them. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.