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The Comedy of Dante Alighieri: Hell: 001 (Divine Comedy)
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Guided by the poet Virgil, Dante plunges to the very depths of Hell and embarks on his arduous journey towards God. Together they descend through the nine circles of the underworld and encounter the tormented souls of the damned – from heretics and pagans to gluttons, criminals and seducers – who tell of their sad fates and predict events still to come in Dante’s life. In this first part of his Divine Comedy, Dante fused satire and humour with intellect and soaring passion to create an immortal Christian allegory of mankind’s search for self-knowledge and spiritual enlightenment.
Medieval Writings on Female Spirituality
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Biographies, poetic compositions, works that are mystical, prophetic, visionary, or meditative: the selections here reflect the developments in medieval piety, particularly in the link between female spirituality and the body. Included are the dramatic visionary writings of Hildegard of Bingen; letters and poems by Hadewijch expressing passionate love for God; and Marguerite Porete’s allegorical poem “The Mirror of Simple Souls,” a dialogue between Love and Soul that was condemned as heretical. Also included are biographies written by male ecclesiastics of women such as Christine the Astonishing, whose extraordinary behavior included being resurrected at her own funeral; revelations received by Bridget of Sweden, the first woman to found a religious order; and excerpts from The Book of Margery Kempe, in which Margery imagines herself as a servant caring for the Virgin Mary in her childhood.
The Adventures of Amir Hamza
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Folktales about Muhammad’s uncle, Amir Hamza.
The Original Illustrated: Arthur Conan Doyle
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Brings together a novelette, a novel, short stories, and an article on Conan Doyle’s experiences as a ship’s surgeon reproduced from the pages of The Strand Magazine
The Selected Works of Joseph Conrad
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Contains the novels Lord Jim, Nostromo and The Secret Agent, together with a selection of Conrad’s superb short stories.
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Orlando Furioso
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`I sing of knights and ladies, of love and arms, of courtly chivalry, of courageous deeds.’ So begins Ariosto’s Orlando Furioso (1532), the culmination of the chivalric legends of Charlemagne and the Saracen invasion of France. It is a brilliantly witty parody of the medieval romances, and a fitting monument to the court society of the Italian Renaissance which gave them birth. This unabridged prose translation faithfully captures the narrative entire and is a kaleidoscope of scenes and emotions of fact and fantasy. ABOUT THE SERIES: For over 100 years Oxford World’s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford’s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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