City of God

Guided by the poet Virgil, Dante plunges to the very depths of Hell and embarks on his arduous journey towards God. Together they descend through the nine circles of the underworld and encounter the tormented souls of the damned – from heretics and pagans to gluttons, criminals and seducers – who tell of their sad fates and predict events still to come in Dante’s life. In this first part of his Divine Comedy, Dante fused satire and humour with intellect and soaring passion to create an immortal Christian allegory of mankind’s search for self-knowledge and spiritual enlightenment.

Biographies, poetic compositions, works that are mystical, prophetic, visionary, or meditative: the selections here reflect the developments in medieval piety, particularly in the link between female spirituality and the body. Included are the dramatic visionary writings of Hildegard of Bingen; letters and poems by Hadewijch expressing passionate love for God; and Marguerite Porete’s allegorical poem “The Mirror of Simple Souls,” a dialogue between Love and Soul that was condemned as heretical. Also included are biographies written by male ecclesiastics of women such as Christine the Astonishing, whose extraordinary behavior included being resurrected at her own funeral; revelations received by Bridget of Sweden, the first woman to found a religious order; and excerpts from The Book of Margery Kempe, in which Margery imagines herself as a servant caring for the Virgin Mary in her childhood.