Home in the World: A Memoir

Kahlil Gibran reveals his vision of the soul and understanding of the world—past, present, and future—in this rich sampling of more than twenty works. Prose tales, fables, and poems evoke the mystic East and form a world at once powerful, tender, joyous, and melancholy. This collection, penned when Gibran was still a young writer, reveals many of the themes and styles plumbed throughout his life, including his lifelong struggle against injustice in “The Crucified,” his heart-wrenching lament for a Lebanon shackled by tradition and politics in “My Countrymen,” and his masterful use of symbolism and simile in “The Secrets of the Heart.”

A writer with infinite abilities, Gibran continually seeks true beauty, no matter the form.

This groundbreaking volume may well be the poetry anthology for the global village. As selected by J.D. McClatchy, this collection includes masterpieces from four continents and more than two dozen languages in translations by such distinguished poets as Elizabeth Bishop, W.S. Merwin, Ted Hughes, and Seamus Heaney. Among the countries and writers represented are: Bangladesh–Taslima Nasrin Chile–Pablo Neruda China–Bei Dao, Shu Ting El Salvador–Claribel Alegria France–Yves Bonnefoy Greece–Odysseus Elytis, Yannis Ritsos India–A.K. Ramanujan Israel–Yehuda Amichai Japan–Shuntaro Tanikawa Mexico–Octavio Paz Nicaragua–Ernesto Cardenal Nigeria–Wole Soyinka Norway–Tomas Transtromer Palestine–Mahmoud Darwish Poland–Zbigniew Herbert, Czeslaw Milosz Russia–Joseph Brodsky, Yevgeny Yevtushenko Senegal–Leopold Sedar Senghor South Africa–Breyten Breytenbach St. Lucia, West Indies–Derek Walcott

What turned Adolf Hitler, a relatively normal and apparently unexceptional young man, into the very personification of evil? To answer this question, acclaimed historian Brigitte Hamann has turned to the critical, formative, years that the young Hitler spent in Vienna. As a failing, bitter, and desperately poor artist, Hitler experienced only the dark underbelly of Vienna, which was seething with fear, racial prejudice, anti-Semitism and conservatism. Drawing on previously untapped sources—from personal reminiscences to the records of shelters where Hitler slept—Hamann vividly recreates the dark side of fin de siècle Vienna and paints the fullest and most disturbing portrait of the young Hitler to date.